The screening was held indoors at Neue Heimat – one of my
favourite Berlin venues – on Saturday 11th July. We arrived at about 9.00 p.m. having first met met up with friends Abby and Albert at
Urban Spree where we caught an hour of the acoustic festival that was taking
place there. At Neue Heimat we
met Mark and Luisa, friends who, having already had their tickets scanned, were
able to go straight in once the queue started to form and secure front row
seats for us all. We refreshed our
drinks supply and, at about 10.45, Jarvis and Florian took to the stage to
introduce the film. It was Berlin-born
Florian’s 40th birthday and he arrived with two enormous boxes of
cake which Jarvis proceeded to serve to the audience. Being offered birthday cake by one of my all-time musical heroes was both wonderful and surreal; it was very good cake too.
Getting ready for the show
Not from Saturday, but an older shot of a rather deserted Neue Heimat
Jarvis and Florian (with a box of birthday cake)
The opening shots of the film, which documents the band’s
last ever gig in their home city of Sheffield in 2012, show Jarvis changing a
tyre, feeding ducks and cycling around streets of terraced houses. In places the film is as much an homage to Sheffield
itself as to the band – there are stunning shots of the city and some delightfully
eccentric moments: a group of pensioners in a diner singing ‘Help the Aged’ and
a local musician explaining how he returned home after living in London
because in Sheffield even the muggers are friendly. Despite the danger of a slight mythologising of
the city and its inhabitants, what emerges is an awareness of the symbiotic
relationship between it and the band. Along with concert footage there are
interviews with band members and fans, the city’s real ‘common people’ and Pulp
devotees from further afield (one of whom took time out from being a nurse and single
mum in Atlanta to attend the gig).
When the film finished there was a Q and A session in which
members of the audience put questions to Jarvis and Florian, which resulted in
some late-night philosophising about class, politics and old age. There was a bizarre declaration from one
audience member who said that her father was wealthy but that she ‘liked’
common people, and an unimaginative intervention from someone replicating
Jarvis’s famous Michael Jackson protest.
After the Q and A we crossed the yard to another part of the
complex where Jarvis was to perform a DJ set.
This was another treat; an eclectic collection of favourites arranged chronologically
from the 50s and 60s, through to the present, and ending with Lionel Richie’s ‘All
Night Long’. Further entertainment was
planned but we’d had enough excitement and by 2.45 we were on our way back to
the S-Bahn.
DJ Jarvis
It was a fantastic evening – heartfelt thanks Mobile Kino and
Neue Heimat.